| You can find pictures anywhere. It's simply a | Photography takes an instant out of time, |
| matter of noticing things and organizing them. | altering life by holding it still. - Dorothea |
| You just have to care about what's around you | Lange |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Photography is my passion. - Alfred |
| | Stieglitz |
| Keep it simple. - Alfred Eienstaedt | |
| | Once photography enters your bloodstream, |
| You learn to see by practice. It's just like | it's like a disease. - Anon |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Brooklyn |
St. Louis |
Cedar Rapids |
Alpharetta |
Wilmington |
Boise |
West Monroe |
Chula Vista |
Denton |
Reading |
Leominster |
Alton |
Holiday |
Grand Rapids |
Vidalia |
Portsmouth |
Summit |
Siler City |
Dodgeville |
Cincinnati |
Wise |
West Haven |
Northport |
Fort Dodge |
Wetmore Munising |
Batesville |
Columbia |
Stroudsburg |
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| My own eyes are no more than scouts on a | Memory is very important, the memory of |
| preliminary search, for the camera's eye may | each photo taken, flowing at the same speed |
| entirely change my idea. - Edward | as the event. During the work, you have to be |
| Weston | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| One should really use the camera as though | be too late. - Henri Cartier Bresson |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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