| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Above all, it's hard learning to live with vivid |
| be too late. - Henri Cartier Bresson | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| I think you have to have a real point of view | me of these unmade images that is the only |
| that's your own. You have to tell it your way. | assurance that the best photographs are yet to |
| And, I think that it's a mistake to shoot for a | be made. - Sam Abell |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| I think the best pictures are often on the edges | The camera makes everyone a tourist in other |
| of any situation, I don't find photographing the | people's reality. - Susan Sontag |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | One should really use the camera as though |
| Allard | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| You learn to see by practice. It's just like | - Sam Abell |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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