| Photography is my passion. - Alfred | I think you have to have a real point of view |
| Stieglitz | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| Once photography enters your bloodstream, | specific magazine's point of view because it's |
| it's like a disease. - Anon | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| There is nothing worse than a sharp image of | believe it. - Mary Ellen Mark |
| a fuzzy concept. - Ansel Adams | |
| | Memory is very important, the memory of |
| It is not the language of painters but the | each photo taken, flowing at the same speed |
| language of nature which one should listen to. | as the event. During the work, you have to be |
| . . . The feeling for the things themselves, for | sure that you haven't left any holes, that you've |
| reality, is more important than the feeling for | captured everything, because afterwards it will |
| pictures. - Vincent Van Gogh | be too late. - Henri Cartier Bresson |
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Orlando |
Albuquerque |
Spokane |
Mesquite |
Easton |
Chula Vista |
New Brunswick |
Tampa |
Newburgh |
Sunrise |
West Hollywood |
North Canton |
Forrest City |
Brunswick |
Seattle |
Abilene |
Grand Rapids |
Moberly |
Casa Grande |
Vienna |
Marysville |
Plant City |
Olympic Valley |
Stephenville |
Amherst |
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| My own eyes are no more than scouts on a | Keep it simple. - Alfred Eienstaedt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | I think the best pictures are often on the edges |
| Weston | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| A mad, keen photographer needs to get out | photographing the edges. - William Albert |
| into the world and work and make mistakes. | Allard |
| - Sam Abell | |
| | A good picture is equivalent to a good deed. |
| The difficulty with color is to go beyond the | - Vincent Van Gogh |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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