| [Photography] is a way of feeling, of touching, | A good picture is equivalent to a good deed. |
| of loving. What you have caught on film is | - Vincent Van Gogh |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Keep it simple. - Alfred Eienstaedt |
| - Aaron Siskind | |
| | Sometimes you can tell a large story with a |
| It is not the language of painters but the | tiny subject. - Eliot Porter |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | You learn to see by practice. It's just like |
| reality, is more important than the feeling for | playing tennis, you get better the more you |
| pictures. - Vincent Van Gogh | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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| Pictures you have taken have an influence on | The virtue of the camera is not the power it |
| those that you are going to make. | has to transform the photographer into an |
| That's life! - John Sexton | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The difficulty with color is to go beyond the |
| earth and skies that man has inherited and the | fact that it's color to have it be not just a |
| wealth and confusion man has created. | colorful picture but really be a picture about |
| - Edward Steichen | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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