| [Photography] is a way of feeling, of touching, | I think you have to have a real point of view |
| of loving. What you have caught on film is | that's your own. You have to tell it your way. |
| captured forever . . . it remembers little things, | And, I think that it's a mistake to shoot for a |
| long after you have forgotten everything. | specific magazine's point of view because it's |
| - Aaron Siskind | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| Photography takes an instant out of time, | believe it. - Mary Ellen Mark |
| altering life by holding it still. - Dorothea | |
| Lange | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
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Houston |
Fort Worth |
Santa Barbara |
Sarasota |
Delray Beach |
Clinton Township |
Virginia Beach |
Fort Lauderdale |
Plymouth |
Wilson |
Punta Gorda |
Santa Rosa |
Burbank |
Irving |
Long Island City |
Kailua Kona |
Athens |
Torrington |
Wiggins |
Des Moines |
Vineland |
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| No place is boring, if you've had a good | One should really use the camera as though |
| night's sleep and have a pocket full of | tomorrow you'd be stricken blind. |
| unexposed film. - Robert Adams | - Dorothea Lange |
| | |
| Sometimes you can tell a large story with a | My own eyes are no more than scouts on a |
| tiny subject. - Eliot Porter | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| You learn to see by practice. It's just like | Weston |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | A mad, keen photographer needs to get out |
| more you see. The more you photograph, the | into the world and work and make mistakes. |
| more you realize what can be photographed | - Sam Abell |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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