| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Sometimes you can tell a large story with a |
| earth and skies that man has inherited and the | tiny subject. - Eliot Porter |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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| My own eyes are no more than scouts on a | Photography takes an instant out of time, |
| preliminary search, for the camera's eye may | altering life by holding it still. - Dorothea |
| entirely change my idea. - Edward | Lange |
| Weston | |
| | Above all, it's hard learning to live with vivid |
| I almost never set out to photograph a | mental images of scenes I cared for and failed |
| landscape, nor do I think of my camera as a | to photograph. It is the edgy existence within |
| means of recording a mountain or an animal | me of these unmade images that is the only |
| unless I absolutely need a 'record shot'. My | assurance that the best photographs are yet to |
| first thought is always of light. - Galen | be made. - Sam Abell |
| Rowell | |
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