| A room hung with pictures is a room hung with | You've got to push yourself harder. You've got |
| thoughts. - Sir Joshua Reynolds | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| I think the best pictures are often on the edges | probe deeper. - William Albert Allard |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | I think you have to have a real point of view |
| photographing the edges. - William Albert | that's your own. You have to tell it your way. |
| Allard | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| Sometimes you can tell a large story with a | never going to be as good. You have to shoot |
| tiny subject. - Eliot Porter | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Houston |
Las Vegas |
Cedar Rapids |
Knoxville |
Charlotte |
Livonia |
Beaufort |
Buffalo |
Fort Pierce |
San Antonio |
Rutland |
Hobart |
Fulton |
Willits |
Uvalde |
Holly Springs |
Smyrna |
Roxboro |
Asheville |
Millbury |
Newcomerstown |
Saranac Lake |
Park City |
Surfside Beach |
Chaska |
Glenmont |
San Ysidro |
Westley |
Rye |
Haines City |
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| The virtue of the camera is not the power it | It is not the language of painters but the |
| has to transform the photographer into an | language of nature which one should listen to. |
| artist, but the impulse it gives him to keep on | . . . The feeling for the things themselves, for |
| looking. - Brooks Anderson | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | [Photography] is a way of feeling, of touching, |
| colorful picture but really be a picture about | of loving. What you have caught on film is |
| something. It's difficult. So often color gets | captured forever . . . it remembers little things, |
| caught up in color, and it becomes merely | long after you have forgotten everything. |
| decorative. Some photographers use [ it ] | - Aaron Siskind |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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