| It is not the language of painters but the | Photography is a major force in explaining |
| language of nature which one should listen to. | man to man. - Edward Steichen |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | You've got to push yourself harder. You've got |
| pictures. - Vincent Van Gogh | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| There is nothing worse than a sharp image of | probe deeper. - William Albert Allard |
| a fuzzy concept. - Ansel Adams | |
| | Memory is very important, the memory of |
| Photography takes an instant out of time, | each photo taken, flowing at the same speed |
| altering life by holding it still. - Dorothea | as the event. During the work, you have to be |
| Lange | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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| The camera makes everyone a tourist in other | You can find pictures anywhere. It's simply a |
| people's reality. - Susan Sontag | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| One should really use the camera as though | and have a concern with humanity and the |
| tomorrow you'd be stricken blind. | human comedy. - Elliott Erwitt |
| - Dorothea Lange | |
| | Sometimes you can tell a large story with a |
| Photography suits the temper of this ageof | tiny subject. - Eliot Porter |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | No place is boring, if you've had a good |
| ideas, imagery, for a prolific worker who | night's sleep and have a pocket full of |
| would be slowed down by painting or | unexposed film. - Robert Adams |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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