| You've got to push yourself harder. You've got | The difficulty with color is to go beyond the |
| to start looking for pictures nobody else could | fact that it's color to have it be not just a |
| take. You've got to take the tools you have and | colorful picture but really be a picture about |
| probe deeper. - William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Photography knows how to authenticate its | decorative. Some photographers use [ it ] |
| misrepresentations. - Mason Cooley | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| Memory is very important, the memory of | - Mary Ellen Mark |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|
|
San Antonio |
Baltimore |
Fort Worth |
Chicago |
Portland |
Worcester |
Bronx |
Columbus |
Detroit |
Lake Worth |
Fort Lauderdale |
Pueblo |
Idaho Falls |
Elyria |
Roswell |
Trenton |
Mount Olive |
Rockland |
Brooksville |
Abbeville |
Redmond |
Jerome |
Conyers |
|
|
| [Photography] is a way of feeling, of touching, | A good picture is equivalent to a good deed. |
| of loving. What you have caught on film is | - Vincent Van Gogh |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A great photograph is one that fully expresses |
| - Aaron Siskind | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Photography is my passion. - Alfred | Adams |
| Stieglitz | |
| | You learn to see by practice. It's just like |
| Now to consult the rules of composition before | playing tennis, you get better the more you |
| making a picture is a little like consulting the | play. The more you look around at things, the |
| law of gravitation before going for a walk. | more you see. The more you photograph, the |
| Such rules and laws are deduced from the | more you realize what can be photographed |
| accomplished fact; they are the products of | and what can't be photographed. You just have |
| reflection . . . - Edward Weston | to keep doing it. - Eliot Porter |
|