| Photography knows how to authenticate its | Keep it simple. - Alfred Eienstaedt |
| misrepresentations. - Mason Cooley | |
| | A room hung with pictures is a room hung with |
| Memory is very important, the memory of | thoughts. - Sir Joshua Reynolds |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | A picture is the expression of an impression. If |
| sure that you haven't left any holes, that you've | the beautiful were not in us, how would we |
| captured everything, because afterwards it will | ever recognize it? - Ernst Haas |
| be too late. - Henri Cartier Bresson | |
| | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Jacksonville |
Durham |
Philadelphia |
Tulsa |
Riverside |
Kalamazoo |
Detroit |
Clarksville |
Macon |
Abilene |
Gastonia |
Kissimmee |
Manassas |
Tupelo |
Chandler |
El Paso |
Van Nuys |
Independence |
La Porte |
Roxboro |
Scranton |
Winslow |
Waterford |
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| Above all, it's hard learning to live with vivid | One should really use the camera as though |
| mental images of scenes I cared for and failed | tomorrow you'd be stricken blind. |
| to photograph. It is the edgy existence within | - Dorothea Lange |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | My own eyes are no more than scouts on a |
| be made. - Sam Abell | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Now to consult the rules of composition before | Weston |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | A mad, keen photographer needs to get out |
| Such rules and laws are deduced from the | into the world and work and make mistakes. |
| accomplished fact; they are the products of | - Sam Abell |
| reflection . . . - Edward Weston | |
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