| The difficulty with color is to go beyond the | Sometimes you can tell a large story with a |
| fact that it's color to have it be not just a | tiny subject. - Eliot Porter |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | You can find pictures anywhere. It's simply a |
| caught up in color, and it becomes merely | matter of noticing things and organizing them. |
| decorative. Some photographers use [ it ] | You just have to care about what's around you |
| brilliantly to make visual statements combining | and have a concern with humanity and the |
| color and content; otherwise it is empty. | human comedy. - Elliott Erwitt |
| - Mary Ellen Mark | |
| | Keep it simple. - Alfred Eienstaedt |
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Houston |
Philadelphia |
Tulsa |
Baltimore |
Raleigh |
Omaha |
Portland |
Seattle |
Des Moines |
Lakewood |
Downey |
Daytona Beach |
Garner |
Joplin |
Glen Burnie |
Concord |
Teaneck |
Broomfield |
Geneva |
Waterloo |
Amite |
Riviera Beach |
Coleman |
West Des Moines |
Hilo |
Allen Park |
Camilla |
Douglas |
Ortonville |
Loveland |
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| It is not the language of painters but the | You've got to push yourself harder. You've got |
| language of nature which one should listen to. | to start looking for pictures nobody else could |
| . . . The feeling for the things themselves, for | take. You've got to take the tools you have and |
| reality, is more important than the feeling for | probe deeper. - William Albert Allard |
| pictures. - Vincent Van Gogh | |
| | Photography is about finding out what can |
| "Simply look with perceptive eyes at the | happen in the frame. When you put four |
| world about you, and trust to your own | edges around some facts, you change those |
| reactions and convictions. Ask yourself: | facts. - Gary Winogrand |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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