| "Simply look with perceptive eyes at the | Memory is very important, the memory of |
| world about you, and trust to your own | each photo taken, flowing at the same speed |
| reactions and convictions. Ask yourself: | as the event. During the work, you have to be |
| "Does this subject move me to feel, think | sure that you haven't left any holes, that you've |
| and dream? Can I visualize a print - my own | captured everything, because afterwards it will |
| personal statement of what I feel and want to | be too late. - Henri Cartier Bresson |
| convey - from the subject before me?" | |
| - Ansel Adams | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| Photography is my passion. - Alfred | |
| Stieglitz | |
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New York |
Houston |
Tampa |
Knoxville |
Long Beach |
Charleston |
West Palm Beach |
Oakland |
Cumming |
Beaverton |
Casper |
Edwardsville |
Salinas |
South Sioux City |
Forrest City |
Emmetsburg |
Incline Village |
St. Peters |
Martinsville |
Wasilla |
Lovelock |
Burlington |
Roxboro |
Kohala Coast |
Highland Park |
Princeton |
Minden |
Vista |
Vero Beach |
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| The virtue of the camera is not the power it | A good picture is equivalent to a good deed. |
| has to transform the photographer into an | - Vincent Van Gogh |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| A mad, keen photographer needs to get out | You just have to care about what's around you |
| into the world and work and make mistakes. | and have a concern with humanity and the |
| - Sam Abell | human comedy. - Elliott Erwitt |
| | |
| The camera makes everyone a tourist in other | Keep it simple. - Alfred Eienstaedt |
| people's reality. - Susan Sontag | |
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