| Photography knows how to authenticate its | Photography takes an instant out of time, |
| misrepresentations. - Mason Cooley | altering life by holding it still. - Dorothea |
| | Lange |
| ...words and pictures can work together to | |
| communicate more powerfully than either | Now to consult the rules of composition before |
| alone. -William Albert Allard | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Memory is very important, the memory of | Such rules and laws are deduced from the |
| each photo taken, flowing at the same speed | accomplished fact; they are the products of |
| as the event. During the work, you have to be | reflection . . . - Edward Weston |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| A picture is the expression of an impression. If | One should really use the camera as though |
| the beautiful were not in us, how would we | tomorrow you'd be stricken blind. |
| ever recognize it? - Ernst Haas | - Dorothea Lange |
| | |
| Sometimes you can tell a large story with a | The virtue of the camera is not the power it |
| tiny subject. - Eliot Porter | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| A good picture is equivalent to a good deed. | looking. - Brooks Anderson |
| - Vincent Van Gogh | |
| | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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