| [Photography] is a way of feeling, of touching, | A good picture is equivalent to a good deed. |
| of loving. What you have caught on film is | - Vincent Van Gogh |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A room hung with pictures is a room hung with |
| - Aaron Siskind | thoughts. - Sir Joshua Reynolds |
| | |
| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
|
|
New York |
Houston |
San Diego |
Austin |
Memphis |
Farmington Hills |
Springfield |
Palm Coast |
Lake Worth |
Santee |
Whiteville |
Warner Robins |
College Park |
Latham |
Conyers |
Foxboro |
Christiansburg |
Sanford |
Weston |
Abbeville |
Oak Brook Terrace |
Tehachapi |
Santa Ana (Costa Mesa) |
Ojai |
Tilton |
Pearl |
|
|
| The difficulty with color is to go beyond the | Photography knows how to authenticate its |
| fact that it's color to have it be not just a | misrepresentations. - Mason Cooley |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography records the gamut of feelings |
| caught up in color, and it becomes merely | written on the human face, the beauty of the |
| decorative. Some photographers use [ it ] | earth and skies that man has inherited and the |
| brilliantly to make visual statements combining | wealth and confusion man has created. |
| color and content; otherwise it is empty. | - Edward Steichen |
| - Mary Ellen Mark | |
| | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
|