| The virtue of the camera is not the power it | Memory is very important, the memory of |
| has to transform the photographer into an | each photo taken, flowing at the same speed |
| artist, but the impulse it gives him to keep on | as the event. During the work, you have to be |
| looking. - Brooks Anderson | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| My own eyes are no more than scouts on a | be too late. - Henri Cartier Bresson |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Pictures you have taken have an influence on |
| Weston | those that you are going to make. |
| | That's life! - John Sexton |
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Tampa |
Orlando |
Melbourne |
Littleton |
Lakeland |
Wallingford |
Corinth |
Humble |
Great Neck |
Idaho Falls |
Morristown |
Greer |
Brainerd |
Brattleboro |
Germantown |
Twin Falls |
Albany |
Decatur |
Lexington |
Salida |
Candler |
Dana Point |
Espanola |
Peoria |
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| A good picture is equivalent to a good deed. | Above all, it's hard learning to live with vivid |
| - Vincent Van Gogh | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| A picture is the expression of an impression. If | me of these unmade images that is the only |
| the beautiful were not in us, how would we | assurance that the best photographs are yet to |
| ever recognize it? - Ernst Haas | be made. - Sam Abell |
| | |
| Keep it simple. - Alfred Eienstaedt | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| I think the best pictures are often on the edges | captured forever . . . it remembers little things, |
| of any situation, I don't find photographing the | long after you have forgotten everything. |
| situation nearly as interesting as | - Aaron Siskind |
| photographing the edges. - William Albert | |
| Allard | |
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