| The virtue of the camera is not the power it | I think you have to have a real point of view |
| has to transform the photographer into an | that's your own. You have to tell it your way. |
| artist, but the impulse it gives him to keep on | And, I think that it's a mistake to shoot for a |
| looking. - Brooks Anderson | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| I almost never set out to photograph a | for yourself and photograph [the way] you |
| landscape, nor do I think of my camera as a | believe it. - Mary Ellen Mark |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | You've got to push yourself harder. You've got |
| first thought is always of light. - Galen | to start looking for pictures nobody else could |
| Rowell | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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Los Angeles |
Portland |
Pittsburgh |
Des Moines |
Livonia |
Lexington |
Culpeper |
Van Nuys |
Roanoke Rapids |
Temple Terrace |
Mitchell |
Ottawa |
Ennis |
Union |
Henderson |
Washington |
Binghampton |
Marietta |
Bodega |
Delta |
Springerville |
Wesley Chapel |
Hanford |
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| A great photograph is one that fully expresses | Photography takes an instant out of time, |
| what one feels, in the deepest sense, about | altering life by holding it still. - Dorothea |
| what is being photographed. - Ansel | Lange |
| Adams | |
| | "Simply look with perceptive eyes at the |
| A picture is the expression of an impression. If | world about you, and trust to your own |
| the beautiful were not in us, how would we | reactions and convictions. Ask yourself: |
| ever recognize it? - Ernst Haas | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Keep it simple. - Alfred Eienstaedt | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|