| You learn to see by practice. It's just like | The difficulty with color is to go beyond the |
| playing tennis, you get better the more you | fact that it's color to have it be not just a |
| play. The more you look around at things, the | colorful picture but really be a picture about |
| more you see. The more you photograph, the | something. It's difficult. So often color gets |
| more you realize what can be photographed | caught up in color, and it becomes merely |
| and what can't be photographed. You just have | decorative. Some photographers use [ it ] |
| to keep doing it. - Eliot Porter | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| A good picture is equivalent to a good deed. | - Mary Ellen Mark |
| - Vincent Van Gogh | |
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Los Angeles |
San Antonio |
Miami |
Chicago |
Atlanta |
Phoenix |
Aurora |
Green Bay |
Lansing |
Boise |
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Manchester |
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| Once photography enters your bloodstream, | You've got to push yourself harder. You've got |
| it's like a disease. - Anon | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Now to consult the rules of composition before | probe deeper. - William Albert Allard |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | Memory is very important, the memory of |
| Such rules and laws are deduced from the | each photo taken, flowing at the same speed |
| accomplished fact; they are the products of | as the event. During the work, you have to be |
| reflection . . . - Edward Weston | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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