| Photography suits the temper of this ageof | I think the best pictures are often on the edges |
| active bodies and minds. It is a perfect | of any situation, I don't find photographing the |
| medium for one whose mind is teeming with | situation nearly as interesting as |
| ideas, imagery, for a prolific worker who | photographing the edges. - William Albert |
| would be slowed down by painting or | Allard |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | Keep it simple. - Alfred Eienstaedt |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | |
| Rowell | |
|
|
Houston |
Oklahoma City |
Brooklyn |
San Diego |
Cincinnati |
Tacoma |
Orlando |
Hot Springs |
Dallas |
Owensboro |
Washington |
Raleigh |
Dubuque |
Fountain Valley |
Cocoa |
Braintree |
Northborough |
Rowland Heights |
Greensboro |
Westlake Village |
Westport |
Cranberry Township |
|
|
| Pictures you have taken have an influence on | "Simply look with perceptive eyes at the |
| those that you are going to make. | world about you, and trust to your own |
| That's life! - John Sexton | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Photography is about finding out what can | and dream? Can I visualize a print - my own |
| happen in the frame. When you put four | personal statement of what I feel and want to |
| edges around some facts, you change those | convey - from the subject before me?" |
| facts. - Gary Winogrand | - Ansel Adams |
| | |
| Memory is very important, the memory of | It is not the language of painters but the |
| each photo taken, flowing at the same speed | language of nature which one should listen to. |
| as the event. During the work, you have to be | . . . The feeling for the things themselves, for |
| sure that you haven't left any holes, that you've | reality, is more important than the feeling for |
| captured everything, because afterwards it will | pictures. - Vincent Van Gogh |
| be too late. - Henri Cartier Bresson | |
|