| No place is boring, if you've had a good | Photography records the gamut of feelings |
| night's sleep and have a pocket full of | written on the human face, the beauty of the |
| unexposed film. - Robert Adams | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Keep it simple. - Alfred Eienstaedt | - Edward Steichen |
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| Sometimes you can tell a large story with a | Pictures you have taken have an influence on |
| tiny subject. - Eliot Porter | those that you are going to make. |
| | That's life! - John Sexton |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | |
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Seattle |
Tempe |
Minneapolis |
Modesto |
Santa Barbara |
Yuba City |
Newton |
Titusville |
Riverside |
Covington |
Monroe |
Orange |
Taylor |
Gonzales |
Naperville |
Atmore |
Bossier City |
Susanville |
Lynchburg |
Twentynine Palms |
Horsham |
Stevens Point |
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| It is not the language of painters but the | I almost never set out to photograph a |
| language of nature which one should listen to. | landscape, nor do I think of my camera as a |
| . . . The feeling for the things themselves, for | means of recording a mountain or an animal |
| reality, is more important than the feeling for | unless I absolutely need a 'record shot'. My |
| pictures. - Vincent Van Gogh | first thought is always of light. - Galen |
| | Rowell |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | The virtue of the camera is not the power it |
| law of gravitation before going for a walk. | has to transform the photographer into an |
| Such rules and laws are deduced from the | artist, but the impulse it gives him to keep on |
| accomplished fact; they are the products of | looking. - Brooks Anderson |
| reflection . . . - Edward Weston | |
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