| "Simply look with perceptive eyes at the | Photography is a major force in explaining |
| world about you, and trust to your own | man to man. - Edward Steichen |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | Memory is very important, the memory of |
| and dream? Can I visualize a print - my own | each photo taken, flowing at the same speed |
| personal statement of what I feel and want to | as the event. During the work, you have to be |
| convey - from the subject before me?" | sure that you haven't left any holes, that you've |
| - Ansel Adams | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| It is not the language of painters but the | |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Brooklyn |
Cleveland |
Milwaukee |
Sarasota |
Baltimore |
Tulsa |
Silver Spring |
Lexington |
Evanston |
Lakeland |
Sandy |
New Rochelle |
Yorktown |
Southgate |
Douglas |
Brattleboro |
Elk City |
Atmore |
Gaylord |
Lawrence |
Boulder City |
Huntsville |
Salem |
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| No place is boring, if you've had a good | My own eyes are no more than scouts on a |
| night's sleep and have a pocket full of | preliminary search, for the camera's eye may |
| unexposed film. - Robert Adams | entirely change my idea. - Edward |
| | Weston |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | The camera makes everyone a tourist in other |
| situation nearly as interesting as | people's reality. - Susan Sontag |
| photographing the edges. - William Albert | |
| Allard | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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