| Photography is about finding out what can | The virtue of the camera is not the power it |
| happen in the frame. When you put four | has to transform the photographer into an |
| edges around some facts, you change those | artist, but the impulse it gives him to keep on |
| facts. - Gary Winogrand | looking. - Brooks Anderson |
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| I think you have to have a real point of view | My own eyes are no more than scouts on a |
| that's your own. You have to tell it your way. | preliminary search, for the camera's eye may |
| And, I think that it's a mistake to shoot for a | entirely change my idea. - Edward |
| specific magazine's point of view because it's | Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| A picture is the expression of an impression. If | Now to consult the rules of composition before |
| the beautiful were not in us, how would we | making a picture is a little like consulting the |
| ever recognize it? - Ernst Haas | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| A great photograph is one that fully expresses | accomplished fact; they are the products of |
| what one feels, in the deepest sense, about | reflection . . . - Edward Weston |
| what is being photographed. - Ansel | |
| Adams | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| I think the best pictures are often on the edges | to photograph. It is the edgy existence within |
| of any situation, I don't find photographing the | me of these unmade images that is the only |
| situation nearly as interesting as | assurance that the best photographs are yet to |
| photographing the edges. - William Albert | be made. - Sam Abell |
| Allard | |
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