| You've got to push yourself harder. You've got | The virtue of the camera is not the power it |
| to start looking for pictures nobody else could | has to transform the photographer into an |
| take. You've got to take the tools you have and | artist, but the impulse it gives him to keep on |
| probe deeper. - William Albert Allard | looking. - Brooks Anderson |
| | |
| Pictures you have taken have an influence on | A mad, keen photographer needs to get out |
| those that you are going to make. | into the world and work and make mistakes. |
| That's life! - John Sexton | - Sam Abell |
| | |
| I think you have to have a real point of view | My own eyes are no more than scouts on a |
| that's your own. You have to tell it your way. | preliminary search, for the camera's eye may |
| And, I think that it's a mistake to shoot for a | entirely change my idea. - Edward |
| specific magazine's point of view because it's | Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
|
|
New York |
San Antonio |
Los Angeles |
Tulsa |
Rochester |
Jacksonville |
Asheville |
Berkeley |
Yuma |
Springfield |
Phenix City |
Selma |
Laguna Hills |
Moultrie |
Petoskey |
La Plata |
Sioux Falls |
Fayetteville |
Chandler |
Alpena |
Mount Vernon |
Yorba Linda |
Middleboro |
Arcata |
Norcross |
Boyne Falls |
Hayti |
Central Point |
Max Meadows |
|
|
| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | You can find pictures anywhere. It's simply a |
| personal statement of what I feel and want to | matter of noticing things and organizing them. |
| convey - from the subject before me?" | You just have to care about what's around you |
| - Ansel Adams | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
|