| Memory is very important, the memory of | The difficulty with color is to go beyond the |
| each photo taken, flowing at the same speed | fact that it's color to have it be not just a |
| as the event. During the work, you have to be | colorful picture but really be a picture about |
| sure that you haven't left any holes, that you've | something. It's difficult. So often color gets |
| captured everything, because afterwards it will | caught up in color, and it becomes merely |
| be too late. - Henri Cartier Bresson | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| ...words and pictures can work together to | color and content; otherwise it is empty. |
| communicate more powerfully than either | - Mary Ellen Mark |
| alone. -William Albert Allard | |
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Houston |
Des Moines |
Garland |
Denver |
Schaumburg |
Johnstown |
Dayton |
Mansfield |
Anderson |
Gainesville |
Sarasota |
Des Plaines |
Little Rock |
Edmond |
Swedesboro |
Parkersburg |
Brandon |
Irving |
Woburn |
Fairfield |
Graham |
Three Rivers |
Vineland |
Evansville |
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| A room hung with pictures is a room hung with | [Photography] is a way of feeling, of touching, |
| thoughts. - Sir Joshua Reynolds | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| I think the best pictures are often on the edges | long after you have forgotten everything. |
| of any situation, I don't find photographing the | - Aaron Siskind |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | It is not the language of painters but the |
| Allard | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A great photograph is one that fully expresses | reality, is more important than the feeling for |
| what one feels, in the deepest sense, about | pictures. - Vincent Van Gogh |
| what is being photographed. - Ansel | |
| Adams | |
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