| [Photography] is a way of feeling, of touching, | Sometimes you can tell a large story with a |
| of loving. What you have caught on film is | tiny subject. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | I think the best pictures are often on the edges |
| - Aaron Siskind | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| There is nothing worse than a sharp image of | photographing the edges. - William Albert |
| a fuzzy concept. - Ansel Adams | Allard |
| | |
| Now to consult the rules of composition before | You can find pictures anywhere. It's simply a |
| making a picture is a little like consulting the | matter of noticing things and organizing them. |
| law of gravitation before going for a walk. | You just have to care about what's around you |
| Such rules and laws are deduced from the | and have a concern with humanity and the |
| accomplished fact; they are the products of | human comedy. - Elliott Erwitt |
| reflection . . . - Edward Weston | |
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Orlando |
Tyler |
Pensacola |
Chattanooga |
El Paso |
Austin |
Albany |
Modesto |
Nampa |
Charleston |
Glenview |
Antioch |
Macomb |
Swainsboro |
Endicott |
Shippensburg |
Plant City |
Sheridan |
Norwalk |
Eden Prairie |
Silverthorne |
Sonoma |
Saint Robert |
Spring Lake |
Foxboro |
Sturbridge |
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| Photography is about finding out what can | My own eyes are no more than scouts on a |
| happen in the frame. When you put four | preliminary search, for the camera's eye may |
| edges around some facts, you change those | entirely change my idea. - Edward |
| facts. - Gary Winogrand | Weston |
| | |
| Photography records the gamut of feelings | The difficulty with color is to go beyond the |
| written on the human face, the beauty of the | fact that it's color to have it be not just a |
| earth and skies that man has inherited and the | colorful picture but really be a picture about |
| wealth and confusion man has created. | something. It's difficult. So often color gets |
| - Edward Steichen | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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