| A mad, keen photographer needs to get out | Photography is a major force in explaining |
| into the world and work and make mistakes. | man to man. - Edward Steichen |
| - Sam Abell | |
| | You've got to push yourself harder. You've got |
| The virtue of the camera is not the power it | to start looking for pictures nobody else could |
| has to transform the photographer into an | take. You've got to take the tools you have and |
| artist, but the impulse it gives him to keep on | probe deeper. - William Albert Allard |
| looking. - Brooks Anderson | |
| | Pictures you have taken have an influence on |
| My own eyes are no more than scouts on a | those that you are going to make. |
| preliminary search, for the camera's eye may | That's life! - John Sexton |
| entirely change my idea. - Edward | |
| Weston | |
|
|
Las Vegas |
Detroit |
San Francisco |
New Orleans |
Mesa |
Rochester |
Peoria |
Duluth |
Blackfoot |
Birmingham |
Long Beach |
Newark |
Fall River |
Brownsville |
Hilo |
Lawrenceville |
Van Buren |
Fremont |
Snoqualmie |
Searcy |
Chestertown |
Monterey |
Salem |
Plymouth |
Downey |
Hayward |
|
|
| Photography is my passion. - Alfred | A room hung with pictures is a room hung with |
| Stieglitz | thoughts. - Sir Joshua Reynolds |
| | |
| It is not the language of painters but the | You can find pictures anywhere. It's simply a |
| language of nature which one should listen to. | matter of noticing things and organizing them. |
| . . . The feeling for the things themselves, for | You just have to care about what's around you |
| reality, is more important than the feeling for | and have a concern with humanity and the |
| pictures. - Vincent Van Gogh | human comedy. - Elliott Erwitt |
| | |
| Now to consult the rules of composition before | I think the best pictures are often on the edges |
| making a picture is a little like consulting the | of any situation, I don't find photographing the |
| law of gravitation before going for a walk. | situation nearly as interesting as |
| Such rules and laws are deduced from the | photographing the edges. - William Albert |
| accomplished fact; they are the products of | Allard |
| reflection . . . - Edward Weston | |
|