| Photography takes an instant out of time, | Photography knows how to authenticate its |
| altering life by holding it still. - Dorothea | misrepresentations. - Mason Cooley |
| Lange | |
| | Pictures you have taken have an influence on |
| Above all, it's hard learning to live with vivid | those that you are going to make. |
| mental images of scenes I cared for and failed | That's life! - John Sexton |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | You've got to push yourself harder. You've got |
| assurance that the best photographs are yet to | to start looking for pictures nobody else could |
| be made. - Sam Abell | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
|
|
Chicago |
Los Angeles |
Orlando |
Fresno |
St. Louis |
Spokane |
Roanoke |
Peoria |
Durham |
Seattle |
Jackson |
Thomson |
Manassas |
Chula Vista |
Springfield |
Hillsboro |
Elizabeth |
Seguin |
Riverhead |
Jonesboro |
Jackson |
Manistee |
Westford |
Hearne |
Debary |
Mequon |
Portland |
|
|
| My own eyes are no more than scouts on a | I think the best pictures are often on the edges |
| preliminary search, for the camera's eye may | of any situation, I don't find photographing the |
| entirely change my idea. - Edward | situation nearly as interesting as |
| Weston | photographing the edges. - William Albert |
| | Allard |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | A picture is the expression of an impression. If |
| artist, but the impulse it gives him to keep on | the beautiful were not in us, how would we |
| looking. - Brooks Anderson | ever recognize it? - Ernst Haas |
|