| I think you have to have a real point of view | A great photograph is one that fully expresses |
| that's your own. You have to tell it your way. | what one feels, in the deepest sense, about |
| And, I think that it's a mistake to shoot for a | what is being photographed. - Ansel |
| specific magazine's point of view because it's | Adams |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | I think the best pictures are often on the edges |
| believe it. - Mary Ellen Mark | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography is a major force in explaining | photographing the edges. - William Albert |
| man to man. - Edward Steichen | Allard |
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Houston |
Chicago |
Trenton |
Sumter |
Norman |
Lafayette |
San Rafael |
Dothan |
Asheville |
New Smyrna Beach |
Tewksbury |
Gaithersburg |
Rock Island |
Rocky Hill |
Elberton |
Gretna |
Bemidji |
Cinnaminson |
Susanville |
Taylor |
Greencastle |
Sayre |
Pine Bluff |
Rapid City |
Creedmoor |
Dexter |
Colchester |
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| Photography takes an instant out of time, | Photography suits the temper of this ageof |
| altering life by holding it still. - Dorothea | active bodies and minds. It is a perfect |
| Lange | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| Now to consult the rules of composition before | would be slowed down by painting or |
| making a picture is a little like consulting the | sculpting, for one who sees quickly and acts |
| law of gravitation before going for a walk. | decisively, accurately. - Edward Weston |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | The virtue of the camera is not the power it |
| reflection . . . - Edward Weston | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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