| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Photography is about finding out what can | Weston |
| happen in the frame. When you put four | |
| edges around some facts, you change those | I almost never set out to photograph a |
| facts. - Gary Winogrand | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| Photography records the gamut of feelings | unless I absolutely need a 'record shot'. My |
| written on the human face, the beauty of the | first thought is always of light. - Galen |
| earth and skies that man has inherited and the | Rowell |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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San Jose |
New Orleans |
Minneapolis |
Youngstown |
Jersey City |
Waterloo |
Huntington |
Placentia |
Blacksburg |
Dumfries |
Phillipsburg |
Beaverton |
Canyon |
Starke |
Rochelle |
Custer |
Palm Coast |
Suffolk |
Robinson |
Boone |
Johnston |
Brookville |
Anderson |
Thibodaux |
Florissant |
Moriarty |
Harvey |
Qkb |
Middletown |
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| Keep it simple. - Alfred Eienstaedt | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| A good picture is equivalent to a good deed. | reactions and convictions. Ask yourself: |
| - Vincent Van Gogh | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| A great photograph is one that fully expresses | personal statement of what I feel and want to |
| what one feels, in the deepest sense, about | convey - from the subject before me?" |
| what is being photographed. - Ansel | - Ansel Adams |
| Adams | |
| | It is not the language of painters but the |
| | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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