| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | I think the best pictures are often on the edges |
| "Does this subject move me to feel, think | of any situation, I don't find photographing the |
| and dream? Can I visualize a print - my own | situation nearly as interesting as |
| personal statement of what I feel and want to | photographing the edges. - William Albert |
| convey - from the subject before me?" | Allard |
| - Ansel Adams | |
| | You learn to see by practice. It's just like |
| There is nothing worse than a sharp image of | playing tennis, you get better the more you |
| a fuzzy concept. - Ansel Adams | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Cincinnati |
Indianapolis |
Birmingham |
Jackson |
Oxnard |
Fairbanks |
Bayside |
Pineville |
Myrtle Beach |
Greensburg |
Coon Rapids |
West Mifflin |
Brookings |
Salem |
Teaneck |
Hillsboro |
Fullerton |
Oxford |
Medford |
Eaton |
Hornell |
St. Anthony |
Altoona |
Fort Montgomery |
Evansdale |
Lebanon |
Prince Frederick |
Cedar Falls |
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| Photography suits the temper of this ageof | Pictures you have taken have an influence on |
| active bodies and minds. It is a perfect | those that you are going to make. |
| medium for one whose mind is teeming with | That's life! - John Sexton |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Photography knows how to authenticate its |
| sculpting, for one who sees quickly and acts | misrepresentations. - Mason Cooley |
| decisively, accurately. - Edward Weston | |
| | ...words and pictures can work together to |
| The virtue of the camera is not the power it | communicate more powerfully than either |
| has to transform the photographer into an | alone. -William Albert Allard |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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