| ...words and pictures can work together to | It is not the language of painters but the |
| communicate more powerfully than either | language of nature which one should listen to. |
| alone. -William Albert Allard | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Pictures you have taken have an influence on | pictures. - Vincent Van Gogh |
| those that you are going to make. | |
| That's life! - John Sexton | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| I think you have to have a real point of view | reactions and convictions. Ask yourself: |
| that's your own. You have to tell it your way. | "Does this subject move me to feel, think |
| And, I think that it's a mistake to shoot for a | and dream? Can I visualize a print - my own |
| specific magazine's point of view because it's | personal statement of what I feel and want to |
| never going to be as good. You have to shoot | convey - from the subject before me?" |
| for yourself and photograph [the way] you | - Ansel Adams |
| believe it. - Mary Ellen Mark | |
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Chicago |
Dallas |
Brooklyn |
Jacksonville |
Wilmington |
Phoenix |
Lubbock |
Alexandria |
Winter Park |
Ormond Beach |
Fayetteville |
Atlantic City |
Union City |
Richardson |
Cookeville |
Ada |
Evanston |
Ames |
Alliance |
Waynesboro |
Aventura |
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| A mad, keen photographer needs to get out | I think the best pictures are often on the edges |
| into the world and work and make mistakes. | of any situation, I don't find photographing the |
| - Sam Abell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| One should really use the camera as though | Allard |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Keep it simple. - Alfred Eienstaedt |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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