| Photography records the gamut of feelings | It is not the language of painters but the |
| written on the human face, the beauty of the | language of nature which one should listen to. |
| earth and skies that man has inherited and the | . . . The feeling for the things themselves, for |
| wealth and confusion man has created. | reality, is more important than the feeling for |
| - Edward Steichen | pictures. - Vincent Van Gogh |
| | |
| ...words and pictures can work together to | "Simply look with perceptive eyes at the |
| communicate more powerfully than either | world about you, and trust to your own |
| alone. -William Albert Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Brooklyn |
Cincinnati |
San Francisco |
Rochester |
Indianapolis |
Sumter |
New York |
Miami |
Palm Beach Gardens |
Red Bank |
Waterloo |
Wichita |
Manassas |
Birmingham |
Mequon |
Lake City |
Booneville |
Columbus |
Laramie |
Worthington |
Beloit |
Owings Mills |
Rochester |
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| Photography suits the temper of this ageof | A picture is the expression of an impression. If |
| active bodies and minds. It is a perfect | the beautiful were not in us, how would we |
| medium for one whose mind is teeming with | ever recognize it? - Ernst Haas |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | A good picture is equivalent to a good deed. |
| sculpting, for one who sees quickly and acts | - Vincent Van Gogh |
| decisively, accurately. - Edward Weston | |
| | A great photograph is one that fully expresses |
| My own eyes are no more than scouts on a | what one feels, in the deepest sense, about |
| preliminary search, for the camera's eye may | what is being photographed. - Ansel |
| entirely change my idea. - Edward | Adams |
| Weston | |
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