| You've got to push yourself harder. You've got | A mad, keen photographer needs to get out |
| to start looking for pictures nobody else could | into the world and work and make mistakes. |
| take. You've got to take the tools you have and | - Sam Abell |
| probe deeper. - William Albert Allard | |
| | The camera makes everyone a tourist in other |
| Memory is very important, the memory of | people's reality. - Susan Sontag |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | Photography suits the temper of this ageof |
| sure that you haven't left any holes, that you've | active bodies and minds. It is a perfect |
| captured everything, because afterwards it will | medium for one whose mind is teeming with |
| be too late. - Henri Cartier Bresson | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Tampa |
Fort Myers |
Louisville |
San Jose |
Oakland |
Baton Rouge |
Littleton |
Sumter |
Santa Monica |
Houston |
Bremerton |
Covina |
Mundelein |
Manchester |
Allen Park |
Sterling |
Hartford |
Southampton |
Aberdeen |
Scottsbluff |
Sugar Land |
Bethel |
Ashland |
Prince Frederick |
Sebastopol |
Lansing |
Escondido |
Mountain Home |
Clawson |
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| A room hung with pictures is a room hung with | Now to consult the rules of composition before |
| thoughts. - Sir Joshua Reynolds | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| A great photograph is one that fully expresses | Such rules and laws are deduced from the |
| what one feels, in the deepest sense, about | accomplished fact; they are the products of |
| what is being photographed. - Ansel | reflection . . . - Edward Weston |
| Adams | |
| | [Photography] is a way of feeling, of touching, |
| I think the best pictures are often on the edges | of loving. What you have caught on film is |
| of any situation, I don't find photographing the | captured forever . . . it remembers little things, |
| situation nearly as interesting as | long after you have forgotten everything. |
| photographing the edges. - William Albert | - Aaron Siskind |
| Allard | |
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