| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Above all, it's hard learning to live with vivid | something. It's difficult. So often color gets |
| mental images of scenes I cared for and failed | caught up in color, and it becomes merely |
| to photograph. It is the edgy existence within | decorative. Some photographers use [ it ] |
| me of these unmade images that is the only | brilliantly to make visual statements combining |
| assurance that the best photographs are yet to | color and content; otherwise it is empty. |
| be made. - Sam Abell | - Mary Ellen Mark |
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New York |
Phoenix |
Indianapolis |
Pensacola |
Mesa |
Elizabethtown |
Morganton |
Lexington |
Johnson City |
San Clemente |
Fort Dodge |
Willmar |
Schaumburg |
Grants Pass |
Reidsville |
Bay Minette |
Clermont |
Avon Park |
Hudson |
Claremore |
Rogersville |
Hattiesburg |
Southampton |
Bridgeview |
Denali National Park |
Lancaster |
Johnson City |
Oakdale |
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| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Keep it simple. - Alfred Eienstaedt |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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