| No place is boring, if you've had a good | A mad, keen photographer needs to get out |
| night's sleep and have a pocket full of | into the world and work and make mistakes. |
| unexposed film. - Robert Adams | - Sam Abell |
| | |
| You learn to see by practice. It's just like | One should really use the camera as though |
| playing tennis, you get better the more you | tomorrow you'd be stricken blind. |
| play. The more you look around at things, the | - Dorothea Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | The camera makes everyone a tourist in other |
| and what can't be photographed. You just have | people's reality. - Susan Sontag |
| to keep doing it. - Eliot Porter | |
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New York |
Chicago |
Denver |
Baltimore |
Colorado Springs |
Baton Rouge |
Bradenton |
Allentown |
Des Moines |
Fort Collins |
Evansville |
Columbus |
Melbourne |
Birmingham |
Arnold |
Westchester |
Americus |
Fountain Hills |
Millbrook |
Boscobel |
Whittier |
Carbondale |
Strongsville |
Barbourville |
Brazelton |
St Louis |
Stoughton |
Glr |
Taylor |
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| Above all, it's hard learning to live with vivid | Pictures you have taken have an influence on |
| mental images of scenes I cared for and failed | those that you are going to make. |
| to photograph. It is the edgy existence within | That's life! - John Sexton |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | Memory is very important, the memory of |
| be made. - Sam Abell | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| There is nothing worse than a sharp image of | sure that you haven't left any holes, that you've |
| a fuzzy concept. - Ansel Adams | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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