| Now to consult the rules of composition before | Photography is about finding out what can |
| making a picture is a little like consulting the | happen in the frame. When you put four |
| law of gravitation before going for a walk. | edges around some facts, you change those |
| Such rules and laws are deduced from the | facts. - Gary Winogrand |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| There is nothing worse than a sharp image of | as the event. During the work, you have to be |
| a fuzzy concept. - Ansel Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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San Francisco |
Chicago |
Cleveland |
Fort Myers |
Aurora |
Miami |
Lubbock |
Cincinnati |
Mesquite |
Longwood |
Henderson |
Waterbury |
Mission Viejo |
North East |
Laurinburg |
Rock Springs |
Spearfish |
Midwest City |
Bentleyville |
St. James |
Gainesville |
Fayetteville |
Mount Pleasant |
Ashland |
Canton |
Diamondhead |
Lake Lure |
Wisconsin Rapids |
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| No place is boring, if you've had a good | The camera makes everyone a tourist in other |
| night's sleep and have a pocket full of | people's reality. - Susan Sontag |
| unexposed film. - Robert Adams | |
| | A mad, keen photographer needs to get out |
| A great photograph is one that fully expresses | into the world and work and make mistakes. |
| what one feels, in the deepest sense, about | - Sam Abell |
| what is being photographed. - Ansel | |
| Adams | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| You can find pictures anywhere. It's simply a | artist, but the impulse it gives him to keep on |
| matter of noticing things and organizing them. | looking. - Brooks Anderson |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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