| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | I almost never set out to photograph a |
| "Simply look with perceptive eyes at the | landscape, nor do I think of my camera as a |
| world about you, and trust to your own | means of recording a mountain or an animal |
| reactions and convictions. Ask yourself: | unless I absolutely need a 'record shot'. My |
| "Does this subject move me to feel, think | first thought is always of light. - Galen |
| and dream? Can I visualize a print - my own | Rowell |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Philadelphia |
Richmond |
Portland |
Birmingham |
Modesto |
Easton |
Brooklyn |
Hilton Head Island |
Bainbridge |
Sunnyvale |
Petersburg |
Marlborough |
Borger |
Folsom |
Lacey |
Ukiah |
Meridian |
Clifton |
San Francisco |
Chestertown |
Liberty |
Lafayette |
Scarborough |
Gladewater |
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| Photography records the gamut of feelings | A picture is the expression of an impression. If |
| written on the human face, the beauty of the | the beautiful were not in us, how would we |
| earth and skies that man has inherited and the | ever recognize it? - Ernst Haas |
| wealth and confusion man has created. | |
| - Edward Steichen | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | |
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