| Photography knows how to authenticate its | The difficulty with color is to go beyond the |
| misrepresentations. - Mason Cooley | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography is a major force in explaining | something. It's difficult. So often color gets |
| man to man. - Edward Steichen | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| ...words and pictures can work together to | brilliantly to make visual statements combining |
| communicate more powerfully than either | color and content; otherwise it is empty. |
| alone. -William Albert Allard | - Mary Ellen Mark |
|
|
Los Angeles |
Baltimore |
Houston |
Oklahoma City |
Salt Lake City |
Denver |
Sioux Falls |
York |
San Jose |
Madison |
Burbank |
Warwick |
Cambridge |
Lowell |
Sturgeon Bay |
Paso Robles |
Stevens Point |
Voorhees |
Quakertown |
Eau Claire |
Geneva |
Jackson |
Iowa City |
Coeur D |
Sonora |
Joliet |
Girard |
Pell City |
|
|
| Now to consult the rules of composition before | You learn to see by practice. It's just like |
| making a picture is a little like consulting the | playing tennis, you get better the more you |
| law of gravitation before going for a walk. | play. The more you look around at things, the |
| Such rules and laws are deduced from the | more you see. The more you photograph, the |
| accomplished fact; they are the products of | more you realize what can be photographed |
| reflection . . . - Edward Weston | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | Sometimes you can tell a large story with a |
| to photograph. It is the edgy existence within | tiny subject. - Eliot Porter |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
|