| "Simply look with perceptive eyes at the | You learn to see by practice. It's just like |
| world about you, and trust to your own | playing tennis, you get better the more you |
| reactions and convictions. Ask yourself: | play. The more you look around at things, the |
| "Does this subject move me to feel, think | more you see. The more you photograph, the |
| and dream? Can I visualize a print - my own | more you realize what can be photographed |
| personal statement of what I feel and want to | and what can't be photographed. You just have |
| convey - from the subject before me?" | to keep doing it. - Eliot Porter |
| - Ansel Adams | |
| | Sometimes you can tell a large story with a |
| Once photography enters your bloodstream, | tiny subject. - Eliot Porter |
| it's like a disease. - Anon | |
|
|
Los Angeles |
Orlando |
Lexington |
South Bend |
Spartanburg |
Englewood |
Kingston |
Greeneville |
Virginia Beach |
St. Louis |
Dyersville |
Lewisville |
West Seneca |
Clemson |
Rye |
Bernalillo |
Pioneer |
Davis |
Merced |
Plymouth |
Maple Shade |
Johnson |
Safford |
Elizabethtown |
Brookville |
Lexington |
Sterling |
Rogers |
Bella Vista |
|
|
| Photography is a major force in explaining | One should really use the camera as though |
| man to man. - Edward Steichen | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| ...words and pictures can work together to | |
| communicate more powerfully than either | The difficulty with color is to go beyond the |
| alone. -William Albert Allard | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| You've got to push yourself harder. You've got | something. It's difficult. So often color gets |
| to start looking for pictures nobody else could | caught up in color, and it becomes merely |
| take. You've got to take the tools you have and | decorative. Some photographers use [ it ] |
| probe deeper. - William Albert Allard | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|