| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| The virtue of the camera is not the power it | captured everything, because afterwards it will |
| has to transform the photographer into an | be too late. - Henri Cartier Bresson |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Brooklyn |
Miami |
Staten Island |
Boca Raton |
Bethlehem |
Gainesville |
Kingsport |
Brandon |
Covina |
Elk Grove Village |
Marianna |
Vista |
Kilgore |
Brownsville |
Duncansville |
Castleton On Hudson |
Long Island City |
Pawtucket |
Tannersville |
Temple Terrace |
Silver Spring |
American Fork |
Lockhart |
Kenly |
Scranton |
Fairfield Glade |
Forest Hill |
Hamilton |
Philippi |
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| No place is boring, if you've had a good | It is not the language of painters but the |
| night's sleep and have a pocket full of | language of nature which one should listen to. |
| unexposed film. - Robert Adams | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| A room hung with pictures is a room hung with | pictures. - Vincent Van Gogh |
| thoughts. - Sir Joshua Reynolds | |
| | "Simply look with perceptive eyes at the |
| A picture is the expression of an impression. If | world about you, and trust to your own |
| the beautiful were not in us, how would we | reactions and convictions. Ask yourself: |
| ever recognize it? - Ernst Haas | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|