| The virtue of the camera is not the power it | [Photography] is a way of feeling, of touching, |
| has to transform the photographer into an | of loving. What you have caught on film is |
| artist, but the impulse it gives him to keep on | captured forever . . . it remembers little things, |
| looking. - Brooks Anderson | long after you have forgotten everything. |
| | - Aaron Siskind |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | Now to consult the rules of composition before |
| medium for one whose mind is teeming with | making a picture is a little like consulting the |
| ideas, imagery, for a prolific worker who | law of gravitation before going for a walk. |
| would be slowed down by painting or | Such rules and laws are deduced from the |
| sculpting, for one who sees quickly and acts | accomplished fact; they are the products of |
| decisively, accurately. - Edward Weston | reflection . . . - Edward Weston |
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Fresno |
Wichita |
Salt Lake City |
Las Cruces |
Baton Rouge |
North Fort Myers |
Covington |
Panama City |
Covina |
Russellville |
Germantown |
Elk Grove Village |
Seneca |
Mount Sterling |
Pearl River |
Hope |
Big Spring |
Russellville |
Southern Pines |
Sheridan |
Lincoln |
Clewiston |
Weirton |
Jasper |
Magnolia |
Jackson |
Roswell |
Summersville |
Hemet |
Beaumont |
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| ...words and pictures can work together to | No place is boring, if you've had a good |
| communicate more powerfully than either | night's sleep and have a pocket full of |
| alone. -William Albert Allard | unexposed film. - Robert Adams |
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| Photography is about finding out what can | Keep it simple. - Alfred Eienstaedt |
| happen in the frame. When you put four | |
| edges around some facts, you change those | A picture is the expression of an impression. If |
| facts. - Gary Winogrand | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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