| The camera makes everyone a tourist in other | Pictures you have taken have an influence on |
| people's reality. - Susan Sontag | those that you are going to make. |
| | That's life! - John Sexton |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | You've got to push yourself harder. You've got |
| colorful picture but really be a picture about | to start looking for pictures nobody else could |
| something. It's difficult. So often color gets | take. You've got to take the tools you have and |
| caught up in color, and it becomes merely | probe deeper. - William Albert Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography records the gamut of feelings |
| color and content; otherwise it is empty. | written on the human face, the beauty of the |
| - Mary Ellen Mark | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Chicago |
Philadelphia |
San Jose |
Sacramento |
Abilene |
Spokane |
St. Paul |
Fremont |
Cumming |
Aurora |
Schaumburg |
Greenwood |
Macon |
Rochester |
Victoria |
Virginia Beach |
Elizabeth |
Roanoke |
Vernal |
Lancaster |
Glenview |
Manhattan |
St. Croix Falls |
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| "Simply look with perceptive eyes at the | Sometimes you can tell a large story with a |
| world about you, and trust to your own | tiny subject. - Eliot Porter |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | I think the best pictures are often on the edges |
| and dream? Can I visualize a print - my own | of any situation, I don't find photographing the |
| personal statement of what I feel and want to | situation nearly as interesting as |
| convey - from the subject before me?" | photographing the edges. - William Albert |
| - Ansel Adams | Allard |
| | |
| [Photography] is a way of feeling, of touching, | No place is boring, if you've had a good |
| of loving. What you have caught on film is | night's sleep and have a pocket full of |
| captured forever . . . it remembers little things, | unexposed film. - Robert Adams |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
|