| Above all, it's hard learning to live with vivid | The difficulty with color is to go beyond the |
| mental images of scenes I cared for and failed | fact that it's color to have it be not just a |
| to photograph. It is the edgy existence within | colorful picture but really be a picture about |
| me of these unmade images that is the only | something. It's difficult. So often color gets |
| assurance that the best photographs are yet to | caught up in color, and it becomes merely |
| be made. - Sam Abell | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Once photography enters your bloodstream, | color and content; otherwise it is empty. |
| it's like a disease. - Anon | - Mary Ellen Mark |
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Houston |
Chicago |
Indianapolis |
Cleveland |
Mobile |
Whittier |
Houma |
Peoria |
Milwaukee |
Dalton |
Leesburg |
Scottsboro |
Gainesville |
Plymouth |
Bushnell |
Hartwell |
Westford |
Nacogdoches |
El Segundo |
Malvern |
Mendota |
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| ...words and pictures can work together to | You learn to see by practice. It's just like |
| communicate more powerfully than either | playing tennis, you get better the more you |
| alone. -William Albert Allard | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| I think you have to have a real point of view | more you realize what can be photographed |
| that's your own. You have to tell it your way. | and what can't be photographed. You just have |
| And, I think that it's a mistake to shoot for a | to keep doing it. - Eliot Porter |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | No place is boring, if you've had a good |
| for yourself and photograph [the way] you | night's sleep and have a pocket full of |
| believe it. - Mary Ellen Mark | unexposed film. - Robert Adams |
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