| A room hung with pictures is a room hung with | A mad, keen photographer needs to get out |
| thoughts. - Sir Joshua Reynolds | into the world and work and make mistakes. |
| | - Sam Abell |
| Keep it simple. - Alfred Eienstaedt | |
| | The difficulty with color is to go beyond the |
| Sometimes you can tell a large story with a | fact that it's color to have it be not just a |
| tiny subject. - Eliot Porter | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| You learn to see by practice. It's just like | caught up in color, and it becomes merely |
| playing tennis, you get better the more you | decorative. Some photographers use [ it ] |
| play. The more you look around at things, the | brilliantly to make visual statements combining |
| more you see. The more you photograph, the | color and content; otherwise it is empty. |
| more you realize what can be photographed | - Mary Ellen Mark |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Los Angeles |
Birmingham |
Wilmington |
White Plains |
Aurora |
Moultrie |
Stuart |
Mountain Home |
Mequon |
Massapequa Park |
Keene |
Walnut Creek |
Bullhead City |
Rexburg |
Bowling Green |
Roanoke |
Oskaloosa |
Woburn |
Manchester |
Sebastopol |
Hays |
Camden |
Brewton |
Meridian |
Elizabethtown |
Douglasville |
Bellefourche |
Pinetop |
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| Photography is a major force in explaining | Photography is my passion. - Alfred |
| man to man. - Edward Steichen | Stieglitz |
| | |
| Photography is about finding out what can | There is nothing worse than a sharp image of |
| happen in the frame. When you put four | a fuzzy concept. - Ansel Adams |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| Memory is very important, the memory of | captured forever . . . it remembers little things, |
| each photo taken, flowing at the same speed | long after you have forgotten everything. |
| as the event. During the work, you have to be | - Aaron Siskind |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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