| Photography suits the temper of this ageof | There is nothing worse than a sharp image of |
| active bodies and minds. It is a perfect | a fuzzy concept. - Ansel Adams |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | "Simply look with perceptive eyes at the |
| would be slowed down by painting or | world about you, and trust to your own |
| sculpting, for one who sees quickly and acts | reactions and convictions. Ask yourself: |
| decisively, accurately. - Edward Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| My own eyes are no more than scouts on a | personal statement of what I feel and want to |
| preliminary search, for the camera's eye may | convey - from the subject before me?" |
| entirely change my idea. - Edward | - Ansel Adams |
| Weston | |
|
|
Chicago |
San Francisco |
Fort Worth |
Indianapolis |
Sacramento |
St. Louis |
Nashville |
Denver |
Huntsville |
Rochester |
Peoria |
Coral Springs |
Portland |
Peabody |
Columbus |
Benton |
Tampa |
Kenmore |
Glen Cove |
Newport |
Edwardsville |
Deming |
Milaca |
Cordele |
Reidsville |
Prestonsburg |
|
|
| Keep it simple. - Alfred Eienstaedt | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A good picture is equivalent to a good deed. | earth and skies that man has inherited and the |
| - Vincent Van Gogh | wealth and confusion man has created. |
| | - Edward Steichen |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | Photography is about finding out what can |
| | happen in the frame. When you put four |
| No place is boring, if you've had a good | edges around some facts, you change those |
| night's sleep and have a pocket full of | facts. - Gary Winogrand |
| unexposed film. - Robert Adams | |
|