| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| I almost never set out to photograph a | personal statement of what I feel and want to |
| landscape, nor do I think of my camera as a | convey - from the subject before me?" |
| means of recording a mountain or an animal | - Ansel Adams |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | Photography is my passion. - Alfred |
| Rowell | Stieglitz |
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Columbus |
Orlando |
Ocala |
Kansas City |
Portland |
Pensacola |
Key West |
Noblesville |
Independence |
Excelsior Springs |
Fort Lee |
Indiana |
Jefferson City |
San Francisco |
Smithfield |
Austell |
Portland |
Ithaca |
Waukesha |
Endwell |
Westerville |
Canal Winchester |
Culver City |
Greenville |
Attalla |
Amite |
Marshall |
Willmar |
Hardeeville |
Williamsport |
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| I think you have to have a real point of view | A good picture is equivalent to a good deed. |
| that's your own. You have to tell it your way. | - Vincent Van Gogh |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | Sometimes you can tell a large story with a |
| never going to be as good. You have to shoot | tiny subject. - Eliot Porter |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| Photography knows how to authenticate its | what is being photographed. - Ansel |
| misrepresentations. - Mason Cooley | Adams |
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