| Photography records the gamut of feelings | "Simply look with perceptive eyes at the |
| written on the human face, the beauty of the | world about you, and trust to your own |
| earth and skies that man has inherited and the | reactions and convictions. Ask yourself: |
| wealth and confusion man has created. | "Does this subject move me to feel, think |
| - Edward Steichen | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Photography knows how to authenticate its | convey - from the subject before me?" |
| misrepresentations. - Mason Cooley | - Ansel Adams |
| | |
| Memory is very important, the memory of | There is nothing worse than a sharp image of |
| each photo taken, flowing at the same speed | a fuzzy concept. - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|
|
Las Vegas |
Boston |
Detroit |
Richmond |
Washington |
San Diego |
St. Paul |
Albany |
Elyria |
Ashland |
Simpsonville |
City Of Industry |
Warrenton |
Orangeburg |
Newport Beach |
Lancaster |
Oak Creek |
Spokane |
Scottsburg |
Monroe |
Brunswick |
Tucumcari |
Chantilly |
Beaver Falls |
Pocomoke |
Silverdale |
Lexington |
Pine River |
|
|
| A room hung with pictures is a room hung with | The difficulty with color is to go beyond the |
| thoughts. - Sir Joshua Reynolds | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| A picture is the expression of an impression. If | something. It's difficult. So often color gets |
| the beautiful were not in us, how would we | caught up in color, and it becomes merely |
| ever recognize it? - Ernst Haas | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| You learn to see by practice. It's just like | color and content; otherwise it is empty. |
| playing tennis, you get better the more you | - Mary Ellen Mark |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
|