| There is nothing worse than a sharp image of | Sometimes you can tell a large story with a |
| a fuzzy concept. - Ansel Adams | tiny subject. - Eliot Porter |
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| It is not the language of painters but the | A good picture is equivalent to a good deed. |
| language of nature which one should listen to. | - Vincent Van Gogh |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | I think the best pictures are often on the edges |
| pictures. - Vincent Van Gogh | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography takes an instant out of time, | photographing the edges. - William Albert |
| altering life by holding it still. - Dorothea | Allard |
| Lange | |
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New York |
Chicago |
Oklahoma City |
Detroit |
Honolulu |
Odessa |
Chesapeake |
Kansas City |
Beaufort |
Niagara Falls |
Freehold |
Pocatello |
Decatur |
Belleville |
Philadelphia |
Florissant |
Great Neck |
Phoenix |
Gaffney |
Havre De Grace |
North Olmsted |
Pulaski |
Driggs |
Louisville |
Arcata |
Tulare |
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| Photography records the gamut of feelings | The virtue of the camera is not the power it |
| written on the human face, the beauty of the | has to transform the photographer into an |
| earth and skies that man has inherited and the | artist, but the impulse it gives him to keep on |
| wealth and confusion man has created. | looking. - Brooks Anderson |
| - Edward Steichen | |
| | My own eyes are no more than scouts on a |
| Photography knows how to authenticate its | preliminary search, for the camera's eye may |
| misrepresentations. - Mason Cooley | entirely change my idea. - Edward |
| | Weston |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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