| My own eyes are no more than scouts on a | Pictures you have taken have an influence on |
| preliminary search, for the camera's eye may | those that you are going to make. |
| entirely change my idea. - Edward | That's life! - John Sexton |
| Weston | |
| | Memory is very important, the memory of |
| The camera makes everyone a tourist in other | each photo taken, flowing at the same speed |
| people's reality. - Susan Sontag | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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Los Angeles |
Minneapolis |
Whittier |
Long Beach |
Kingsport |
Chino |
Boone |
Missoula |
Bartlett |
Harrisburg |
Rockmart |
Urbana |
Stillwater |
Yankton |
Mineral Wells |
Aberdeen |
Palatine Bridge |
Imperial Beach |
Mars Hill |
Bay City |
Casa Grande |
West Bend |
Burbank |
Taylor |
Ada |
Beaver Dam |
Nogales |
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| I think the best pictures are often on the edges | [Photography] is a way of feeling, of touching, |
| of any situation, I don't find photographing the | of loving. What you have caught on film is |
| situation nearly as interesting as | captured forever . . . it remembers little things, |
| photographing the edges. - William Albert | long after you have forgotten everything. |
| Allard | - Aaron Siskind |
| | |
| A good picture is equivalent to a good deed. | It is not the language of painters but the |
| - Vincent Van Gogh | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Keep it simple. - Alfred Eienstaedt | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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