| You've got to push yourself harder. You've got | "Simply look with perceptive eyes at the |
| to start looking for pictures nobody else could | world about you, and trust to your own |
| take. You've got to take the tools you have and | reactions and convictions. Ask yourself: |
| probe deeper. - William Albert Allard | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Pictures you have taken have an influence on | personal statement of what I feel and want to |
| those that you are going to make. | convey - from the subject before me?" |
| That's life! - John Sexton | - Ansel Adams |
| | |
| ...words and pictures can work together to | There is nothing worse than a sharp image of |
| communicate more powerfully than either | a fuzzy concept. - Ansel Adams |
| alone. -William Albert Allard | |
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Atlanta |
Austin |
San Antonio |
Tyler |
Charleston |
Mobile |
Grand Junction |
Minneapolis |
Ventura |
Southampton |
Waco |
Mount Kisco |
Portland |
Birmingham |
Rock Hill |
The Colony |
Morganton |
Albany |
Scottsboro |
Sandwich |
Beaufort |
Peru |
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| One should really use the camera as though | A great photograph is one that fully expresses |
| tomorrow you'd be stricken blind. | what one feels, in the deepest sense, about |
| - Dorothea Lange | what is being photographed. - Ansel |
| | Adams |
| My own eyes are no more than scouts on a | |
| preliminary search, for the camera's eye may | A picture is the expression of an impression. If |
| entirely change my idea. - Edward | the beautiful were not in us, how would we |
| Weston | ever recognize it? - Ernst Haas |
| | |
| A mad, keen photographer needs to get out | You can find pictures anywhere. It's simply a |
| into the world and work and make mistakes. | matter of noticing things and organizing them. |
| - Sam Abell | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
|