| Photography is a major force in explaining | A good picture is equivalent to a good deed. |
| man to man. - Edward Steichen | - Vincent Van Gogh |
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| Photography records the gamut of feelings | A great photograph is one that fully expresses |
| written on the human face, the beauty of the | what one feels, in the deepest sense, about |
| earth and skies that man has inherited and the | what is being photographed. - Ansel |
| wealth and confusion man has created. | Adams |
| - Edward Steichen | |
| | No place is boring, if you've had a good |
| You've got to push yourself harder. You've got | night's sleep and have a pocket full of |
| to start looking for pictures nobody else could | unexposed film. - Robert Adams |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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